Meiro Koizumi

CONFESSIONS

A laboratory of the human psyche: two exhibits by a much-discussed visual artist that employ unique forms of narration

Meiro Koizumi explores human psychology through video themed around inner memory and emotion. His work has been called “theatrical,” surely because he takes the performance of characters and a theatrical situation he presents to them, and just films the results. And yet, at the moment when something not the intended role appears and takes on the form of the character, it transcends the frame of performance and transforms the work into a bizarre psychological drama that attracts excess. In this sense, Koizumi’s work may be called a ritual of spiritualism through the medium (both a type of media and a psychic) of video.

This exhibition comprises two works selected on the titular theme of confessions. As a filmmaker and quasi-theater director, Koizumi does not stop only at revealing individual secrets but shows the process of the spirits of emotion and memory transferring to others.

In the State of Amnesia was made with a man who suffered brain damage from a traffic accident at the age of 21 and has since lived with memory impairment. Koizumi instructs the man to memorize and read aloud testimony related to the trauma of a Japanese soldier. The installation consists of two videos: a reproduction of the testimony and an abstract scene of the mental landscape. Showing emotions that cannot be seen and voices that are unvoiced, it questions how human memory can or cannot be related by or to someone.

On the other hand, Death Poem for a City comprises images of the urban landscape and interviews with six anonymous individuals recruited by Koizumi on Facebook. Wearing masks, these unidentified people are encouraged by Koizumi to express their innermost feelings that they would never say in front of others. However, their voices are then dubbed over with the various noises of Tokyo, and played as sounds isolated from the meaning of the words or the feelings embedded in them. By suspending the agency of speech in this way, the madness latent in the city emerges.
These two video installations give the viewer a sense that the memories and emotions that anchor their own identity become ambiguous. This exhibition brings to the fore Koizumi’s idiosyncratic method of amplifying reality by having other bodies possess voices.

YEAR
2016 AUTUMN
DATES
10.28(Sat)-11.13(Sun)
VENUE
North and South Gallery, Kyoto Art Center
CATEGORY

Meiro Koizumi

Born in Gunma, Japan, 1976. He works in Yokohama, Japan. He studied at the International Christian University, Tokyo (1996-1999), Chelsea College of Art and Design, London (1999-2002), and Rijksakademie van beeldend kunsten, Amsterdam (2005-2006). He won the 1st prize at Beck’s Future 2 – student’s film and video award in London (2001). His previous solo exhibitions include Defect in Vision at Annet Gelink Gallery, Amsterdam (2012), Broken Hero, Beautiful Afternoon at Art Space, Sydney (2011), MAM Project 009 at Mori Museum, Tokyo (2009).

He participated in numerous group shows such as, Invisible Memories at Hara Museum, Tokyo (2011), Liverpool Biennial (2010), Media City Seoul (2010), Aichi Triennale, Japan (2010), and Nanjin Triennale, China (2008). His works are included in the collection of the Museum of Contemporary Art in Tokyo. He is schedule to have a solo presentation at the Projects Series in MoMA, New York in Jan. 2013.

Coordinated byKyoto Art Center
Presented byKyoto Experiment