Kim Kangyeon works across performance, video, and sound, focusing on revealing the layers and structures of worlds that have been forgotten or remain beyond perception. In particular, this interest is often manifested through the theater as a primary conduit. For Kim, the theater is not merely a physical space, but a site where fiction is projected onto reality and imagination overlaps with a definitively tangible world. In Kim’s practice, the theater always operates as a space where what has been hidden or deleted―in an unfinished state―is summoned once again. By repositioning the presence of the invisible, such as drifting words or ghosts without bodies, at the center of the stage, Kim experiments with the potential to expand the limits of sensation and perception.

Lee Minjin is a performance and dance artist who embodies, witnesses, and makes dance. Her artistic practice, which originates from the performativity and agency of a dancer, approaches dance not merely as a means of expression for performance, but as a medium for sensory exploration that moves across the boundaries between stage and life, the mundane and the extraordinary. Rather than choreography(as a form), her work focuses on the vitality and relation of dance itself, at times exploring the possibilities of dance through things that may not appear to be dance at all. She leans toward invisible or easily overlooked sensations, marginalized beings, and invites movement outside of familiar codes and languages into the field of dance. Lee’s works include Too Big to Perform (Ob/Scene Focus, Seoul, 2025), Next to the Horizon (Ob/Scene Festival, Seoul, 2024), STAY STAY STAY (Teatro do Bairro Alto, Lisbon, 2024), and Salamander in Area (Royal X Club, 2022). She also participated in the curated exhibition HOLE (Windmill, Seoul, 2021) with the performance missing link.

Designated as Important Intangible Cultural Heritage No.30 of Korea, Park Minhee, as isuja (certified practitioner) of gagok (a genre of traditional Korean vocal music), is an artist who reinterprets the aesthetics and structure of traditional Korean music through a contemporary sensibility. Continually questioning what it means to practice traditional music today, Park has been engaging in experimental work that redefines, in musical terms, the relationship between performer and audience beyond the act of mere listening. In her work, the body is not merely an instrument that produces sound, but a site where music lives and resonates. Through this shift, she offers the audience a sonic and spatial experience unlike any other. Her best known works include the No Longer Gagok series, Hanging Bed, and Wind Belows from the Mountain Where Spirits Gathered.